Theatrum Orbis Terrarum ca.1570
FALL 2009
LIT 2110

World Literature I
SYLLABUS

Department of Language and Literature
 

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J.A. Jones
SCF: Venice

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Course Objectives | Texts | Policies | Reading Schedule | Written Requirements | Grading|

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OBJECTIVES
This course meets Area IV requirements for the A.A., A.S., and A.A.S. General Education requirements, and the 6000 word Gordon Rule requirement.
This course includes an analytical reading of major literary works and an examination of the social and historical background and culture of each period covered. Selected masterpieces in LIT 2110 include works from the beginning of ancient civilization through the Fifteenth Century.  This course meets part of the six-hour international/intercultural requirement. The skills of analytical and critical reading and writing are integral to the course.

COURSE PERFORMANCE STANDARDS
can be obtained from the Department Office or at: http://www.mccfl.edu/pages/467.asp

PREREQUISITE
  ENC 1101 and concurrent registration in or completion of 
ENC 1102 with a grade of "C" or better.

TEXTS
 The Norton Anthology of World Masterpieces, 2nd Ed., Package 1 (Vols. A, B, C): Beginnings to 1650
Click below for link to Amazon:

ISBN 0-393-92453-X
Text website includes Review Materials, Audio Glossary, Discovery Modules, Interactive Timelines, Maps, Web-Based Resources, and Words Without Borders - www.wordswithoutborders.org, the online magazine for contemporary international literature in translation.

RECOMMENDED
 MLA Handbook for Writers of Research Papers
Harmon and Holman, A Handbook to Literature 
( available in bookstore and on reserve in library)

GORDON RULE REQUIREMENTS
 This course meets the Florida State Board of Education Rule Number 6A-10.30.  In accordance with this rule, students will complete written assignments totaling 6000 words. A grade of "C" or better is required for credit in Gordon Rule classes.
Any student who has not turned in all written assignments will not be allowed to take the final exam and will fail the course.

Manatee Community College defines PLAGIARISM as the use of ideas, facts, opinions, illustrative material, data, direct or indirect wording of another scholar and/or writer - professional or student - without giving proper credit. If a student is found guilty of plagiarism, s/he will receive a zero ("0") for the assignment and an "F" for the course, according to due process. If a student needs assistance in composing his/her paper, s/he should consult the instructor or seek assistance in the English Lab. Outside help in editing, rewriting, or composing shall be construed as plagiarism.
PLAGIARISM WILL NOT  BE TOLERATED IN THIS COURSE.  
IF YOU PLAGIARIZE, YOU
WILL FAIL THE COURSE.

GRADES will be based on written work, tests, notebook, and projects. 
Assignments turned in after the beginning of the class on the due date will lose 
ONE FULL GRADE (10%) on the assignment.

ATTENDANCE
Any student missing more than 6 hours of class may be dropped from the course with a grade of "F." No make-up tests will be given unless pre-arranged. Habitual lateness will affect your grade -- if you must arrive at class late or leave early, please take a seat in the back row to minimize disturbance to other students.  All cell phones (except for those of emergency workers) must be turned off before class starts.

WITHDRAWAL POLICY
I
n accordance with SCF policy as stated in the college catalog, students may withdraw from any course or all courses without the academic penalty of a WF by the withdrawal date deadline as listed in the SCF academic calendar (this semester, that date is
October 30, 2009).   While the student must take responsibility for initiating the withdrawal procedure, students are strongly encouraged to talk with their instructors first before taking any withdrawal action.

STANDARDS OF CONDUCT  
Students are expected to abide by all SCF Student Handbook guidelines. 

E-MAIL POLICY
As an SCF student, you have been assigned an official student e-mail account to be used for all college-related email communication. I will send email messages only to your official address, and I will not respond to messages from you sent from any other account.
This policy has been developed  for the protection of your privacy. 
Be sure to put the topic of your message in the subject line and sign your message with your first and last name and your class (i.e. LIT 2110).

Please feel free to chat about papers or any other questions or problems at any time.

Webpage: http://faculty.mccfl.edu/jonesj/JAJones.html
Phone: 408-1499
E-Mail: JonesJ@mccfl.edu
Hours:  9-10 am and by appointment Monday-Friday
Office: Room 641

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READING ASSIGNMENTS


All reading assignments should be completed
before class by the date assigned.
Schedule is subject to instructor's changes

DATE

TOPIC

PAGES
 

THE DIVINE

Volume A

AUGUST 24

Introduction to Myth and Legend 
 

 

AUGUST 26

Ancient Writing PPT
The Invention of Writing and the Earliest Literatures

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A pp. 3-10

AUGUST 28

Video: The Descent of Inanna

video review

AUGUST 31 Hymns to Inanna; Ancient Egyptian poetry; Psalms;  Song of Songs Xeroxes
A pp.
41-52, 93-101
 

THE HERO

 

SEPTEMBER 2

The Hero Cycle PPT 
Assignment of epic for panel discussion
Start reading The Odyssey and epic assignments: see September
21-25

 Gilgamesh

SEPTEMBER 4 The Epic of Gilgamesh A pp. 8-40
SEPTEMBER 7 NO SCHOOL: LABOR DAY
Continue reading The Odyssey and epic assignments: see September 10-17

SEPTEMBER 9 Genesis, Jonah
Old Testament PPT

A pp. 52-76, 101-03
Bring in article for Précis

SEPTEMBER 11

Introduction to pantheons 
The Olympian Gods
The Greek and Roman Gods PPT
(not online)

A pp. 104-14
A pp.
1040-44
Hesiod's Theogony

SEPTEMBER 14

Homer, The Odyssey,  Books I-XII

A pp. 225-375

SEPTEMBER 16

Homer, The Odyssey,  Books XIII-XXIV

A pp. 376-530

SEPTEMBER 18

 The Hindu Universe
The Hindu Gods PPT  (not online)

A pp. 880-90
Précis
due
Hard copy to instructor, copy posted in ANGEL under group forum

SEPTEMBER 21

Heroic Epics group work: 
Valmiki, The Ramayana
Virgil, The Aeneid
The Song of Roland
The Epic of Son Jara


A pp.
890-952
A pp.
1052-1133
B pp. 1702-66
C pp. 2409--63

SEPTEMBER 23-25 Panel discussions: 20 minutes @ group  

 

OTHER VISIONS

 

SEPTEMBER 28

Confucius, The Analects
Chuang Chou, Chuang Tzu
Chinese Philosophy PPT

A pp. 804-11
A pp. 820-58

SEPTEMBER 30 Confucianism vs. Taoism debate The Way
OCTOBER 2 Sappho, Lyrics
Chinese Classic Poetry
Catullus, Lyrics
A pp. 530-533
A pp. 812-819
A pp. 1046-51
OCTOBER 5 Greek Theatre PPT

OCTOBER 7

Euripides, Medea

A pp. 693-724

OCTOBER 9

Aristophanes, Lysistrata

A pp. 725-78

OCTOBER 12

Ovid, The Metamorphosis

A pp. 1134-82

OCTOBER 14

MIDTERM

 

OCTOBER 16

NO CLASSES: Faculty Development Day

 

 

RELIGIOUS QUESTS

Volume B

OCTOBER 19 The New Testament
Christianity PPT
B: pp. 1200-1221

OCTOBER 21

St. Augustine, Confessions

B: pp. 1221-1250

OCTOBER 23 The Koran
Islamic Art and Culture PPT
B: pp. 1419-1460

OCTOBER 26

Ibn Ishaq, The Biography of the Prophet
video: Islam Empire of Faith: The Messenger AV BP 50 . I 8536 Tape 1

B: pp. 1460-1475
video review

  COURTLY LIFE  

OCTOBER 28

Abolqasem Ferdowsi,
Sohrab and Rustum
Jalaloddin Rumi

B: pp. 1476-1524
B: pp. 1541-1549
 

OCTOBER 30

Last Day to Withdraw
India's Classical Age: 
Visnusarman, Pancatantra
Indian Classical Literature PPT
B: pp. 1250-67

 NOVEMBER 2 
 

Kalidasa, Sakuntala and the Ring of Recollection

B: pp. 1267-1332

NOVEMBER 4  China: T'ao Chien, Li Po, Tu Fu
Japan: The Manyoshu and The Kokinshu
B: pp. 1353-70
B: pp. 2142-2174
NOVEMBER 6 Murasaki Shikibu, The Tale of Genji
Heian Japan PPT
B: pp.2174-2270
 

NOVEMBER 9

Genji worksheet

 

NOVEMBER 11 NO CLASSES: Veterans Day

NOVEMBER 13 Courtly Life in Europe PPT  
NOVEMBER 16 Medieval Lyrics
Medieval Lyrics Assignment
B: pp. 1783-1823
 

NOVEMBER 18

Marie de France, Lanval and Laustic

B: pp. 1767-1775

NOVEMBER 20 The Sonnet: Petrarch and Shakespeare
Francesco Petrarch        Willliam Shakespeare
B: pp. 2464-2490
xeroxes
NOVEMBER 23 Dante video: Circles of Light, 
AV PQ4315.17 .C57 1998 
check out: Danteworlds
Study Guide for the Inferno
B: pp. 1826-36
video review
NOVEMBER 25-27 NO CLASSES
THANKSGIVING 
HOLIDAY

NOVEMBER 30

Dante, The Divina Commedia: Inferno
Study Guide for the Inferno

1836-1942

 

NEW WORLDS AND OLD

Volume C

DECEMBER 2

Group work: Frame Tales
The Thousand and One Nights
Boccaccio, The Decameron
Marguerite de Navarre, The Heptameron
The Development of the Renaissance Novelle

Tale Analysis  due
B: 1566-1619
B: 1963-1990
C: 2564-2590

DECEMBER 4

Panel Discussion (15 minutes each)  

DECEMBER 7

The Florentine Codex
Cantares Mexicanos
The Popul Vuh
3063-3092

DECEMBER 9

Cervantes, Don Quixote, Part 1

2671-2731

DECEMBER 11

Part 2: "Last Duel" and "Homecoming and Death"

2772-2782
Journal
due
DECEMBER 14-17: TBA FINAL EXAM  

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WRITTEN  REQUIREMENTS
quill and paper
LATE ASSIGNMENTS 
will lose the equivalent of one full grade/10% of the worth of the assignment.

LATE JOURNALS
will lose 5 points per week. 
Journals are due BEFORE class on the date due
and must be posted on the appropriate Discussion Forum in ANGEL..

Critical Reading Journals ( 20 @ 20 pts. )

400 pts.

4000 words

Précis on Critical Essay of Heroic Epic

100 pts.

500 words

Tale Analysis 

 100 pts. 

500 words

Panel Discussions (50 pts. @)
Heroic Epics and Frame Tales

100 pts.

 

Two tests: Midterm and Final

300 pts.

1500 words

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CRITICAL READING JOURNALS:

You will keep an on-going literary journal in which you will comment on the readings, raise questions, "try out" possible essay topics -- think by writing. 

  • Journal assignments will posted to the Discussion Forum on ANGEL.

  • Each journal entry should be 150-250 words minimum -- the journals are a significant portion of the course Gordon Rule requirement.

  • ALL journals must be posted in order to earn Gordon Rule credit.

  • Journals are due BEFORE class on the due date.

  • Do not summarize the reading assignments. Do not  focus on biographical information.  Journal entries should be responsive, analytical and interpretive.
    Show me that you have read the assignment and have thought about it.

  • I expect your journals to be written in standard American English and adhere to standard spelling and punctuation rules.  Points will be deducted for poor writing.

  • Late journals will lose 5 points per week.

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    PRECIS OF CRITICAL ESSAY ON HEROIC EPIC:

    The précis should summarize and analyze an authoritative critical essay (one written by a professional scholar) on the heroic epic your group has been assigned. Each member of the group should choose a different article to précis. Make copies of your précis for your group members, so the group can discuss the tale on the date group work will be done. You may use the essays for information in preparing the Panel Discussion. Collections of essays are available in the library, both in the reference section and in the regular collection,  or you may use an essay from the Electronic Resources in LINCC.
    (J-Stor, Academic Search Premier or the Literary Resource Center are probably your best bets) 
    You may NOT use an essay obtained on the internet outside of LINCC unless you clear it with me first.
    Each précis-analysis should include a minimum of five major paragraphs:

    1. An introduction which includes a) author, title and date of article and b) a paraphrase of the author's thesis in one or more sentences.

    2-4. Select three major points in the article and analyze how well the writer defends those points. What kinds of evidence are used? Is it sufficient and convincing or lacking and non-convincing? Are the points logical? Plausible? Provocative? Do you agree or disagree with the author? Do you detect any unfounded assertions?

    5. Discuss how and why this article is important to your understanding of the work analyzed.

    Your précis should include parenthetical citations for any quotes used and a Work Cited citation  to acknowledge the source of the essay. MLA formatting for the paper and documentation must be used.
    See: Writing About Literature and MLA Sample Citations


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    TALE ANALYSIS

    The tale analysis should summarize and analyze one of the tales from the Frame Tale your group has been assigned. Each member of the group must choose a different tale to analyze. Make copies of your analysis for your group members, so the group can discuss the tale on the date group work will be done.  Your analysis should include: a brief summary of the tale; a discussion of the genre (fable, romance, fabliau, cautionary, realistic, etc.) of the tale,  the tone and purpose of the tale. You may also include character analysis, discussion of symbolic elements, and anything else you think will illuminate the tale. What does the tale reveal about human nature? about the nature of love?  How does the tale fit into the entire work?   While you may not be able to find literary interpretations of your individual tale, I do expect you to include at least two secondary sources that illuminate elements of the overall work.  

    MLA formatting for the paper and documentation must be used.
    See: Writing About Literature and MLA Sample Citations

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    GRADE DISTRIBUTION:

      A   900 - 1000 Points
    B   800 - 899 Points
    C   700 - 799 Points
     
    D   650 - 699 Points
     
    F    000 - 650 Points

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    heron

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